With Warfare Noise I, Brazil and - in a way - the rest of world, paid more attention to Belo Horizonte. The bands were really good at the musical level. Of course, things weren't so great when it came to organization. Most bands here didn't have that entrepreneur...
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ROOT released their seventh album, Black Seal, on this day in 2001. The cover design is by Seth Haymon (LYCANTHROPY). Seth ICQed me as a Root fan. I had no clue he's a painter and he plays in some band... nothing. After a month or so he wrote...
Cult Mexican black metal; AVZHIA released their debut album Dark Emperors on this day in 1996 through short-lived Storm Productions.
...there is a sound in my head which I have had for a very long time - I always searched for this sound through various bands and genres but I never found it - eventually I because good enough on my instruments to be able to create this...
Formed by Manolo Schäfler in 1993 after leaving TORTURER following their debut LP, INQUISICION released their debut album, Steel Vengeance, on this day in 1996.
MISFITS played live at On Broadway, San Francisco on this day in 1981. It was the first of three late-November west coast gigs. Two of the songs - "All Hell Breaks Loose" and "We are 138" - were included on the original Evilive 7" (December 1982) and 12"...
"1184" is not a concept album. The songs '1184' and 'Heidra' are the only songs related to the title. The title is the year of the greatest sea battle in Norway. It took place in the Fjord of our home village Sogndal. The people of Sogndal were tired...
We push ourselves - every strum is double time, every ride/hi hat beat is DOUBLE time, etc. We have what I call 'the overkill factor', you've got heaviness, you've got speed, you've got blazing, then you've got 'the overkill factor'. Where everything is pushing its limit; you're about...
I think we are influenced by everything we listen to. I listen to a lot of different stuffs, such as Bathory, Tiamat, Bestial Summoning, Pandemonium, Merciless (swe), Rotting Christ, Fester, Dark Throne, Profanatica, Marduk, (old) Kreator, Nocturnal Rites, Manowar, Necromantia and many else. Beretorn / Throne of Ahaz...
SUBURBAN LAWNS aired the Jonathan Demme-directed video for their debut single, "Gidget Goes to Hell", on this day in 1980 during Saturday Night Live.
...we started recording it in June and we finished mixing it in the middle of September. It was done at Sable Rose studio in Coventry, and Andy Faulkner co-produced. It was the longest we had spent in the studio - we wrote a few riffs and vocals in...
I think the recording was good for us. It ended up being more of a demo for us so we can hear a good recording of some of our newer songs at the time. It was good preparation for “Onward To Golgotha”. We realized we played the songs...
Our music sounds exactly like five people from the Bayou should sound. Five different directions that just so happen to come together. Listening to Blondie, David Bowie, Moody Blue, Dead Can Dance, Black Sabbath, Devo, and Thrill Kill Cult influences that make a big pile of chaos that...
ANATHEMA released their third album, Eternity, on this day in 1996 through Peaceville. The concept of "Hope". That was the choice, the concept itself of the song. Maybe we're not just spirits disappearing, maybe there is some sort of light at the end of the tunnel as far...
Totally different from the EP, it was recorded in a 16 track studio and we had a week to record it. The songs are faster & heavier than those on the EP. And the production is also much better. So I can tell you it has everything to...
Our current manager, Matthias Prill, knew Tommy Ziegler, the head of Disaster, so he invited the guy to the show. We brought Warfare over from England and we really played our hearts out; the offer came from that night....we did receive some other offers, but I won't say...
Our songs go from pillar to post, but it's mainly first chorus, first chorus, bridge, first chorus, end - even if it does that in a circuitous and oddball way. We've never really been musically adventurous. Well, maybe in some senses, but we just take the traditional and...
...eighteen songs in fifteen minutes. On he face of it, the music was skeletal, but with Boon's skronk guitar, Watt's chordal bass, Hurley's busy percussing, it was more than the sum of its parts. While the music was eccentrically funky, like a highly caggeinated Captain Beefheart running down...